Five Poems
by Karen Lozinski
Costco to the Core
Morning simmers
under breathy quadratic equations
I slip between earth and vapor
for a snifter of warm peat
and a non-denominational prayer
at the beginning of this increment
I am the afterbirth of possibility
and cellular destruction in one being
I can fathom a permanent corporeal home
and why I need to rustle and rise
to bring my butt to the grocery store.
As of yet I have no celestial links.
My dot-dot-dash small universe
sings of stellar ambitions
though I don’t think that’s the same thing.
Phalanges shimmer into fireworks
bellybutton uncoils into a question
muscles crease into origami pelagic birds
that yearn to take on a wind current or two.
I sink ten thousand beds downward
my body an impossible, supple blade
through geologic layers and fire.
I land upright, on my feet,
hands planted firmly on a shopping cart.
This is fluorescent lighting for consumers—
these are the earnest, cavernous ceilings of a big box store.
At least it’s the one I like
its careful, deliberate topography
the nexus of pragmatism and desire
I could fill my heart with
eco-conscious coffee pod mega-variety packs
I could fill my cart with spiny thistles
their bristled purple blooms suddenly all around me
stalks soaring past the cellophaned pallets on high
flower heads ballooning into planetoids
I leap on to a stem as it climbs for the ceiling
and ride it back to my morning
prickles lodged in my hands and legs
except morning has split into the dust of full day
and I am left to wonder
if I should have grabbed toilet paper on my way out
Two States on I-80
Rust sings in heated keys
through these dankest days
machinery left untidy
in dark blonde fields
barely noticed from the interstate.
Blue with universal appeal
if I warble my weight to you
would the heaviness of the sky
come down on us?
Narrative nests even in chaotic rhythm
untold or unintended, we find it.
You always think transient joy
is the answer, but not right now
we could stop for a cigarette anyway—
I like to watch you smoke.
When the two AM sky roils green
I will not wake you
until I get us to a gas station
or at least an overpass.
That is when you will run
flip flops slapping dirty puddles
and I will take up smoking, at least
for the two cigarettes you leave behind
Laundry Day Diverstion
Sublimation wasn’t on the menu.
Instead it was a chunky, comforting affair
easily recognizable cubes
familiar discs floating in pasty broth
chilled vanilla globs at the end,
maraschino cherries included.
I couldn’t find a cigarette to smoke afterwards
until I remembered I’d quit ten years ago.
Cigarettes were offered as digestif,
but off-menu from a hand
I’d rather did not touch me again.
I waved them away and propped myself up
webbed myself to the unloved window shades
creased and tarnished with nicotine.
Daylight ate at their orange-brown edges
illumination manifesting more as harmonics
with every passing miasmic second
a directional thrum swollen and uncomplicated.
I couldn’t marry movement to the march
though every board I had to paint
every bill I hadn’t paid and a curdling quart
of milk at home hummed along with it.
Plus the damned wet clothes.
All prophets and prognostications swirled away
in deep blue agnostic vortices
skimming across a different rhythm,
one of sleep I couldn’t deem senseless
until I startled upright in the room’s husky grey
spun around me and hardened
but not more calcified than the night
chalking the shades with faint accusation
maybe some ridicule, some derision, then apathy.
Stuffed limbs and organs into pants and a shirt
that smelled familiar, pretty sure they were mine
hurtling away from the cerulean shimmer
of a television nestled somewhere in that apartment
to the windows, wrenching one upward and open
a position the frame wheezed and struggled to remember.
I slid down the brownstone on my chest—
small favors come in the form of first floor flings—
crashing into a chorus of garbage cans
sent flying into this otherwise quiet area
of a building on an otherwise quiet block.
I felt a little bad for leaving them jumbled like that
scuttling back to the laundromat on 2nd Ave
hoping no one had messed with my clothes or taken them.
It’s Summer in Louisiana All Year Long
Collectively we carry the August air
Louisiana summer doesn’t play
girding you in invisible armor
epaulets weighted with humidity
gauntlets that drip in perpetuity
a breastplate that refuses to rust and disintegrate
the alkie neighbor is halfway to clown hair
and it’s only 1pm
as he gently terrorizes the unsupervised toddler
of the careless bitch two doors down
she’s got some bleeding to do
of someone else on the other side of that phone call
because the world owes her more than she can count
sometimes she makes the alkie do her bidding
tugging on a string that makes him believe she’ll give him some
but she won’t even let him on her porch
unless she wants furniture moved.
Caught in the crossfire of their omnipresent secondhand smoke
I fasten a kite to a string
I fasten a message to the kite
I can’t find a tail
and there is no wind anyway
just air more serious than death
and a blue sky, miraculous in its purity
without a single chorus of clouds in sight
rain rarely beings relief anyway
just washes our cars further down the road
*originally published by Talon Review, Vol. 2 Issue 6: MOTHERSHIP, July 2022.
Coping Skills
Since the birth of video
I’ve gotten along anaerobically
petting the virtual dogs of real strangers
always betting on the surreal to win.
Trauma is a bitch to clean
because of its proclivity for crevices
never knew there were so many tight spaces
in a psyche otherwise geared to go.
Aspirating snowstorms in other hemispheres
while calling it libations a vacation
I’ve learned how to weather almost anything
except the omnipresent ice of heartbreak.
Then comes the velvet seascape of you
salt that hangs in the air actually stars
their luminescence crackles on my tongue
warmth from sun lingers for hours
I take dedicated lessons in contentment.
I hope I can muster the same for you
though I still blur into a twitch fest
trauma is a bitch to clean
I’m learning to tie sail to mast
setting my first small craft in water come morning.
BIO: Karen Lozinski hails from New York City and lives in New Orleans. She's a multidisciplinary artist who earned her MFA at the California Institute of the Arts. Her writing appears in Mantis, The Citron Review, Chapter House Journal, Talon Review, Scapegoat Review, Red Ogre Review, The Dead Mule, ellipsis… literature and art, 300 Days of Sun, Fifty Word Stories, In Parentheses, Defunkt Magazine and Gabby and Min's Literary Review and is forthcoming in The Bookends Review and The Broadkill Review. IG: @karenlozinskiphotography.