Five Poems

by Lauren Arienzale



seasonal

 

small mercies come in the shape of

october ending and an email reply

 

on sunday morning. you say there’s

just not a good enough story to tell

 

and mean it, too. it boils down to the

rotation of the earth, all there is to it.

 

you chased the ambition until it chased

you and now – you only want to go back

 

home.

 

the lumpy blue couch and the apple

orchard and the sunset behind the

 

mountains. the quiet and the gentle

and the slow, nothing more.

 

they can watch every wisp of potential

dissolve into the forest if they’re still

 

desperate for an ending. ordinary was

never a dirty word, expect when they

 

threw you in mud just to see if you’d

sink or swim. and it might even feel

 

cruel if there was a feeling left to be

had. you’re trapped until you aren’t.

 

you’re dirt beneath their feet until

you pick up and walk away, potential

 

be damned.

a cautionary tale in three parts

 

I

 

it’s mid-afternoon

 

we’re sitting in the british countryside

 

almost twenty and halfway through

twenty six

 

more similar than different.

 

II

 

i tell you stories of autumn and

you put on a brave face, anyway

 

you show me watercolor paint strokes

and your newly shaved head –

 

you speak in poetry because lately

it all feels a bit lighter and you’re

 

not afraid. not anymore.

 

III

 

i’m not afraid, either,

except when i am

 

all our favorite people are

swimming and drowning

 

all at once.

 

they spend summers skinny dipping in dorset

            they come home to chaos and joy and tragedy

 

and it all just repeats.

in memory of my grandmother’s side table

 

i dragged your side table

out to the trash today.

 

it broke over a year ago,

if we’re being honest. and

 

you had too many side tables

anyway, if we’re pointing out

 

the obvious, so there’s no reason

to feel sorry for one lost. but you are

 

no longer living, you can no longer beg

to hold onto what held you.

 

do you remember how it used to confuse me?

 

yes, it’s still about the table. it was blue and it

sat in your kitchen, dusty and covered in god

 

knows what kind of trash or decay or long held

memory that tumbled out of you like wildfire.

 

it had rows and rows of fake wooden knobs,

with fake wooden drawers. a decoration or

 

decoy, who knows. my little hands

could never really understand.

 

and it would be another decade, maybe

more, before i realized the top lid opened

 

to reveal a hollow underbelly. no knobs or

compartments needed. just hollow. just empty.

 

 

well, anyway, the hinges kept breaking.

and i had too many tables.

and i am so full of memories, i could never be hollow.

and you were so full of memories, it was all you ever knew.

 




cardinal

 

the day you died, it was summer and sunny.

the rest of the world was just as broken down

as our family and for once, it wasn’t a comfort

to see the collective shedding of decency

 

the day you died, my mother woke me in my

childhood bedroom and i barely knew what to say

 

expected is different that happening, i suppose

 

the day you died, the rest of the family shared

in something i could not. the rest of the family

held each other while i held my own arms. my father

explained away the colored hair and tattoos, as though

absolving himself from his own daughter

 

the day you died i went home to play video games.

twenty one and twelve sat side by side that night

and i couldn’t tell them apart.

rewilding/dewilding

 

i am watching the tree in my backyard

being sized up and assessed

for death

 

she’s leaning on the roof

of our apartment building

and kisses the bedroom windows

with branches of pine needles

 

she grew too tall over decades

and became too strong for attempts

at straightening her limbs,

            her most wild and vibrant pieces

 

we’ve only know each other

for three years or so,

but really?

            we’ve known each others fates for centuries

 

by sunset

            she will be a stump of what once was

and i will practice shrinking my untamed pieces


BIO: Lauren Arienzale is a doctoral candidate in clinical psychology, former organic farmer, and poet. She is the author of the poetry collection, Mud Pie. Her work has also appeared in Scapegoat Review, The Closed Eye Open, A Plate of Pandemic, Assignment Literary Magazine, and others. Check out her website: laurenarienzale.com

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