The Twenty-Thousand Pound Woman (An Ekphrasis for Coyolxauqui)

by Tomás Baiza

What if I told you, with a straight face,

That in 1978, workers renovating the

Basement of a Mexico City

Bookstore uncovered the

Body of a dismembered woman?

 

What if, as they brushed the

Dirt from her inscrutable face, the

Horror and importance of the

Scene became manifest:

 

That here lay

Coyolxauhqui,

She Who Is Adorned With Bells,

Queen of the Milky Way?

 

Everyone knows that chilangas—the

Women of Tenochtitlan—were not

And are not

To be fucked with.

Indeed, you,

Coyolxauhqui

Measured eleven feet in diameter and

Weighed in at a cool

Ten tons of pink basalt.

 

By the time the breathless

Archaeologists arrived,

Everyone understood

That a new generation would bear

Witness to Huitzilopochtli’s historic atrocity,

That Mexicans and the world would stare in

Mute horror at

The lengths to which Your

Brother would go to

 

Increase his likes,

Grow his brand,

Expand his platform.

 

The legends are unclear what, exactly, was the

Inciting incident,

Why the fearsome

God of War, the furious

Hummingbird of the South

Would raise his xiuhcoatl, his

Lightning serpent blade,

And commit that act of

Cosmic sororicide.

 

Some say that You were scandalized by Your

Mother’s questionable morals,

That You took offense to her

Womb giving shelter to Your

Glorious and beautiful and conceited

Brother, with his sparkling

Quetzals and obsidian-bladed

Macuahuitl and impossibly graceful

Wardance.

 

Who in the actual fuck did he think he was?

 

Some say that You foresaw his greatness, and

resented the

Earth Goddess’s sluttiness,

and decided to

Stand on business before

Shit got out of hand.

 

Others claim that You feared Your

Brother’s boldness,

That he would have the

Audacity to claim guardianship of an

Entire people and

Demand that they pick up sticks and

Abandon Snake Mountain and

Strike south for the Altiplano, where the

Mexica would one day claim their

Destiny.

 

Those people say that

Your only crime was

That You didn’t want to leave

Nayarit or Sinaloa or

Sonora or California or

Wherever the hell

Aztlán was.

 

You just wanted to stay home,

 

And lazily spread Your

Starry arms

And gently twirl forever

And ever.

 

In 1978, the

Scholars stood over Your

Corpse, scandalized at the

Sight of Your

Breasts and

Warrior’s belt

Pulled tight across Your

Bare torso that had been separated from Your

Arms and Your

Legs and Your

Head, Your exposed

Bones betraying

That most arrogant Secretary of War’s

Sloppy butchery.

 

And Your brother’s acolytes were nothing

If not creative, for

No other people in the history of

Humanity possessed such a

Genius for marrying

Gore with beauty,

Savagery with purpose, and

Cruelty with fate.

 

For Your first fifty years

You lay at the

Foot of a temple dedicated to

Tlaloc and—of all people—

Your belligerent Brother.

 

Captured warriors would be

Made to tread upon the

Massive disc of Your

Stone body,

Compelled to endure the

Foreshadowing of their own

Fates,

Forced to consider,

As they ascended the temple steps,

Whether they would find any comfort in

Knowing that they,

Like You,

Would soon know how it felt to be

Free of head and limbs,

Terrorized into accepting that,

In the end,

Your Brother and his raging

Mexica Children would always win.

 

Always.

 

And then,

For four hundred and fifty years,

After the conquerors came and

Pretended as though their form of

Bloodshed was more civilized than

Our form of bloodshed,

 

After Your miscegenated descendants

Grasped at social status by denying

Any knowledge of You,

Washing their hands of Your

Brother’s crime.

 

After neo-indigenous

Raza Cósmica revolutionaries

Romanticized Your victimhood and

Western feminists pathologized Your

Murder and claimed

You as their sister.

 

After all that,

You squinted and blinked into the

Harsh workmen’s lights and

Whispered, as a windchime might

At the nudge of a breeze from a

Hummingbird’s wings,

 

Quiúbole, pendejos,

I’m back!

BIO: Tomás Baiza is originally from San José, California, but now finds himself in Boise, Idaho. He is the award-winning author of Delivery: A Pocho's Accidental Guide to College, Love, and Pizza Delivery (Running Wild Press, 2023), A Purpose to Our Savagery (RIZE Press, 2023), and Mexican Teeth: Stories and Assorted Artifacts of an Errant Chicanidad (Inlandia Books, 2026). Tomás's work has been nominated for the Pushcart Prize, Best of the Net, Best American Short Stories, and the O. Henry Prize, and both Delivery and Mexican Teeth have been accepted into the holdings of the Library of Congress Center for the Book. Sherman Alexie has called Tomás's writing “painful, scary, hilarious, incredibly vulnerable, and powerful in equal measure.” Tomás has been stalked by wild dogs while hitchhiking in Mexico, was once escorted by security out of the Pebble Beach & Tennis Club, and had the privilege of delivering a dozen pizzas to a Klingon-themed orgy at a sci-fi convention.

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